Ghaywan, a Dalit director in Bollywood, said that in contrast, Kollywood stories were "coming from authenticity". When lower castes are depicted in Bollywood, they fall into familiar roles of oppressed characters in need of upper-caste saviours, said filmmaker Neeraj Ghaywan, whose directorial debut "Masaan" won two awards at the 2015 Cannes film festival. India has about 200 million Dalits - once known as the "untouchables" and the lowest group in the caste system - and more than 100 million also marginalised tribespeople.īut their life stories are rarely told and India's prolific film industry generally favours bankable action-packed song-and-dance extravaganzas. It has been selected as India's entry for best international feature at next year's Oscars. "Koozhangal", a Tamil film internationally known as "Pebbles" about an alcoholic father and his son, tackles issues of poverty and patriarchy. The success of "Jai Bhim" highlights the rise of such films in Kollywood.
Stalin said the movie made his heart heavy and announced measures to support tribespeople with access to welfare, drinking water and electricity.īut after an association representing the Vanniyar caste complained the film portrayed them in a bad light, a local politician offered 100,000 rupees ($1,300) to anyone who physically attacked Suriya.Īrmed police were deployed to protect the star's home, amid an outpouring of support for him on social media. That's the greatest victory of this film," said the now-retired 70-year-old. "Everybody wants to know what we can do for them. Chandru, the lawyer who inspired the role played by Tamil superstar Suriya, went on to become a judge and says young Indians tell him they were ignorant of such tribal groups and the abuse they face. I wanted to say that the silence of the society is more brutal than police brutality," he told AFP. "The reason these injustices happen to people who are vulnerable is because we don't raise our voices," said director T.J. It has also been hailed as the latest movie to defy film stereotypes of lower castes as voiceless victims by dignifying their lives and portraying them as people with agency. In a vast nation of 22 official tongues, Kollywood and other minority-language producers are often overshadowed by the glitzy, Hindi Bollywood.īut Tamil legal drama "Jai Bhim", released on Amazon's streaming platform instead of cinemas, has attracted rave reviews and currently stands as the highest-rated film by all voters globally on movie database IMDb, with a score of 9.5.īased on the true story of a lawyer battling for justice for a tribal woman whose husband was accused of theft and tortured and killed in police custody, "Jai Bhim" has been praised for its unflinching portrayal of judicial violence. Many of the directors are from the Tamil film industry "Kollywood" - nicknamed after Chennai's Kodambakkam district where many studios are based - with some from the oppressed communities at the bottom of the country's rigid caste system. Now independent, mostly non-Hindi language filmmakers are challenging attitudes with powerful stories of injustice to give them a voice. MUMBAI - Facing systemic exploitation and discrimination, India's lowest castes have barely been acknowledged on the big screen.
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